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Checking out the 125 |
The ES 125 is the most humble of vintage Gibson archtops. It's not very collectible because so many were produced and so many are still around. After all, it was highly successful model for Gibson from 1941 to 1970. Simply because it was so affordable. "A student model at best" I read on the vintage guitars info pages. So you won't find in the orthodontist's or lawyer's guitar collection. It has no snob appeal. However, in terms of affordable vintage mojo a 125 is hard to beat. Over here in the Netherlands the instrument has gained popularity ever since chops meister Martijn van Iterson chose it as his preferred instrument in the 90s. There is nobody on the planet that plays a 125 better than he does, trust me. And his sound is always fantastic. Student model at best huh ...
The Gibson ES 125 is a plain looking non cutaway instrument with one P90 pick up in neck position. It has a solid Honduras mahogany neck, an arched slab-cut maple back and top; mahogany sides; solid Brazilian rosewood fingerboard. The hardware includes a P-90 single coil pickup, Kluson Deluxe strip tuners, gold bonnet knobs and a chrome raised diamond trapeze tailpiece.
The body size at the lower bout is 16". The scale length is 24.9" and the nut width 1 11/16". So in spite of the fact that it has no cutaway it is not a big guitar.
The playability may not be what you find in high end guitars. But make no mistake. It IS a vintage instrument. It is of a much lighter build - so with a thinner top - than current Gibson laminates. An ES 125 will be more resonant than what you would expect. Its acoustic sound is pretty loud. Kind of like what you hear from ES 175s of the late 1940s and 1950s, you know the ones with a single P90 pup. Here's a clip that I recorded with my 125 totally unplugged. The tune is "Angel Eyes."
My 1964 ES 125 is very much like the 1951 one I once had. I kind of like my current one a bit better cosmetically because it has a lighter three tone burst instead of the older two tone burst of the 1950s. But for the rest, pretty much the same guitar. Definitely feels the same but it may sound a bit brighter than the older one I had. I do not know much about the consistency of them over the 30 years they were produced though ... Most of the ones I see on the internet seem to be from the 1950s.
And here's a clip that showcases its electric sound (Kenny Burrell's "Midnight Blue"):
The ES 125 is not for those that seek a shiny new guitar. The finish on these is thin in vintage style. Heck, most recent guitars will feel like plastic compared to the woody vibe the 125 generates in your hands. I love that feel. I think these old finishes (or rather, the absence thereof) really improve the sound. So if you want an affordable full sized vintage ES guitar, the Gibson ES 125 is your best choice. And your only one probably ...
Nice guitar Dick, I still think you can swing on solo guitar a group is more interesting but Joe Pass's Virtuoso is still my favorite guitar jazz album.
ReplyDeleteToch wel een beetje zeldzaam: in 1964 zijn er maar 434 gemaakt en 1965 is het laatste productiejaar voor de ES-125 (zijn er nog 442 gemaakt)! (Bron: Duchossoir "Gibson Electrics: The Classic Years"). Grtz, Jasper.
ReplyDeleteDick, what brand, gauge, etc. strings are you using for the 125?
ReplyDeleteRoger
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Inspiring...too inspiring in fact, a week ago I took the plunge and bought a 1959 ES 125 its neck had just a refret and planed. Its not the first guitar you sell me on, you did the same with the Tal Farlow 10 years ago...That 125 sounds and feels so great both acoustically and electrically. I usually tend to prefer guitars with neck binding and a cutaway, but the 125 doesn't need any of those. I understand very well why a monster player like MVI play one! There is clearly something great about those thin laminated Gibson of the golden age, they vibrate like no modern Gibson does.
ReplyDeleteCanadian-American guitarist Lenny Breau used a few of them during the 60's...
ReplyDelete